Constructing space and considering the engagement and experience of the viewer have both always been guiding practices in my artwork. Currently I am interested in having my art practice evolve to include the building of three-dimensional spaces (as opposed to alluding to space on a flat surface) and to engage the viewer more directly by making work that requires their physical movement and interaction with a built environment. For my last large project I attempted to meet these objectives by making a large obstacle course in the forest at Red Clay Farm as part of the White Rabbit Residency. The design of the obstacle course developed organically in response to the materials found on site, collaborations and the structures and dynamics provided by the surrounding natural landscape. Throughout the process of making I closely observed and reacted to natural rhythms, patterns, structures, sounds and visuals. The trees, rocks, flowing water, mud etc. on site became guides, rather than obstructions and these existing elements informed each obstacle of the piece. In taking the time to consider and respond to the landscape I hoped to foster a similar conscious study of surroundings in the participant as they moved, observed, played, meditated and reacted to the provided succession of obstacles. The following footage was taken from the perspective of a participant as they moved through the obstacle course.